I’m finished drafting!
I treated myself to this cupcake after a draft a few years ago. I really wish I had it now …
Anyway, my draft came out at 55,716 words, which was not quite as low as I expected. I had set an initial target of 70,000 words, but as I stated earlier, I’m fine with a sparse draft. I know I’ll add when I revise as I tend to leave out important parts like setting descriptions.
If you missed my first two posts in this series, you can find them here:
I realize the way this panned out, I’m only writing this a week after my last post, but I still feel I have some worthwhile lessons to impart as I finished the draft.
I no longer feel the need to jump right into revisions. Last week I was riding on the high of a brilliant twist I’d decided to implement in the first plot point. And I do still believe it’s brilliant and will greatly improve the tension throughout the rest of the manuscript, but since I forced myself to move on, I no longer feel the burning urge to jump into the revisions immediately. So it turns out that was a short-lived fury.
If I hadn’t outlined so completely, I would have rushed to the first plot point much too soon. As I’ve been drafting, I’ve been reading a lot, and much of that reading has been on my Kindle. It’s so handy to have that little percentage marker in the bottom left-hand corner. And I’ve noticed something. I can actually pinpoint an inciting incident around twelve percent and a first plot point at twenty-five percent and a pinch point around thirty-three to thirty-seven percent and so on. And working backward has given me a unique perspective on this, being able to think about what is happening in each scene and then go to the scene immediately before and make sure what happens then provides the right framework. I can tell that if I hadn’t done it this way, I would have a first plot point around fifteen percent, and the problem would be that readers wouldn’t care enough about my character yet, or they wouldn’t be meeting the important secondary characters at the appropriate time. I am sure this method is going to benefit me in the long run.
I had to remind myself to insert backstory in the early chapters. By the time I got to the first couple of chapters, where the characters were being introduced, I had to remind myself to insert bits of description and backstory to ground the reader in the world. Because I’d been writing about these characters for six weeks already, I knew them so well that I definitely wasn’t putting too much in. But I was right about knowing the voice and mannerisms. That part is good. As to whether it means I nailed the first chapter more quickly? Well, that will be up to my CPs to determine.
I still spent more time on the first chapter than the others. I just wrote it today, but whereas I drafted the other chapters quickly and wasn’t as worried about the first lines, I carefully considered every word of this first chapter, even in draft form. But I do think it was easier writing the first chapter last. Because I not only knew how their stories played out but had already written the details of them, I had a much better sense of what needed to happen at the beginning–who the readers need to meet and what they need to know about my main character and how she’s been shaped by the people around her. I wasn’t feeling my way into her the way I have been in the past. Because I already did that in the last chapter :).
So what’s next? I’m going to let this manuscript sit until after Thanksgiving. I usually do a month, and depending on what else lands on my plate, I may still give it until mid-December, but I definitely need to let it settle. Either way, I’m definitely glad I decided to write in reverse. Drafting is always a struggle for me, and although I still had to sit and force myself to do it some days, I had better direction this time around.
How about you? Have any of you tried drafting in reverse? Did you like it or not?