Contests, Writing

It’s Pitch Wars Time!

The adult/new adult and middle grade Pitch Wars entries are already live, and the young adult entries are scheduled to post tomorrow, although the others have gone up the night before, so it’s very possible my entry for YOUR SECRET’S NOT SAFE WITH ME will go live tonight.

My mentors asked me if I was excited or nervous. Yes, bits of both emotions are swirling around inside me, but I’m actually pretty calm today. Maybe that will change once my entry’s actually up (I’ll update this post with a link once it is), but I doubt it. Because even though my ultimate goal is an agent and I’m pinning all sorts of hope on this manuscript, I’ve been on this querying hamster wheel enough to learn a few things. (If you want the full details, start with my What I’ve Learned in Six Years of Querying post, and there are links to the five previous years.)

Update: Here’s my post, but if you are not an agent, please don’t comment!

PW #311: Young Adult Humorous Suspense: YOUR SECRET’S NOT SAFE WITH ME

So, I have a few words for my fellow mentees, whether you are getting many or few requests. And maybe it’s also a reminder for me :).

1.We did it!

I mean, this is the most important point! We made it through the revisions, and it feels like a sort of graduation. I am so grateful to my mentors, Kristin Smith and Beth Ellyn Summer, for the time they devoted to my manuscript, as well as both the public and behind-the-scenes cheerleading. No matter what happens with the agent round, my manuscript is so much stronger and, most importantly, I know it’s READY. I’m excited to send it out into agent-land, much like Elle ready to take on the world :).

2. Don’t let the number of requests you receive discourage you from querying and putting your work before agents.

Some entries will not have many requests, and there could be various reasons for that. Maybe you should’ve gone with a different pitch. Maybe the agents who participated weren’t the right fit, or maybe the agents who are the right fit didn’t get to it. Maybe your first page isn’t the best fit for a blog contest–which doesn’t necessarily mean that your first page isn’t what it should be. Maybe your manuscript will do better when you send a full query and sample. Sometimes a pitch and first page just aren’t the best way to showcase a particular manuscript, and that’s okay. I’ve had agents skip over my entry in a pitch contest before and then request from a full query and sample. It happens! So much of this journey is about timing, and there’s nothing you can do about that :). You might start querying and experience just as much success as that entry with twenty requests.

3. If you have a ton of requests, don’t assume you should blast out queries to your entire list.

Well, that sounds like a downer, so first of all, you should celebrate! Because it’s awesome you got a ton of a requests! But still, I’m a realist. I’ve been in a contest with a previous manuscript where I had agents fighting over my entry. It’s heady. It feels like THIS IS IT! But all it really means it that your pitch and first page are working. You still need to make sure everything that comes after works. And maybe it does. Maybe agents will be scrambling to offer on your manuscript. Based on the history of this particular contest, that will happen for some, which is so awesome! I will so be cheering for all of those success stories! Pitch Wars is unique in that you’ve been working with a mentor (or maybe two) who have helped you whip your manuscript into a fine shine. But publishing is a subjective business, which means the edits don’t end once you start querying. Agents–and later editors–will have more revisions for you. Unfortunately there’s no magic formula to knowing how many agents you should query once you send out to non-Pitch Wars showcase agents. It’s really a matter of how confident you feel. I would say that if PW agents request partials and quickly upgrade to fulls, you are probably in good shape.

Update: Since this is my first time in Pitch Wars, I had no idea thirty or forty requests were even a possibility. If you’re one of those mentees, you can probably send whatever queries you want! This point was more aimed at the ten to twenty request club. But still, congrats!!

4. Cling to your new writer friends.

The very best thing about contests is the connections you make. My first major contest was five years ago. One of those teammates is one of my closest CPs, and I stay in regular contact with several others. I even got to finally meet one of them in person last month when she came through town for her book tour. These writers are your best support system when rejections come through, your sounding board when you need to revise, and your cheerleaders when you have good news. So stay in touch and don’t be afraid to reach out when you need them!

I think that’s it. Remember, you’ve already done all the hard work of revising the manuscript. I know waiting for those agent requests is nerve-wracking, but it’s not the end game. It’s just the next step in the journey. So, I leave you with this:

 

Contests, PitchWars, Revising, Writing, Young Adult

Tackling a Major Revision, or How I’m Revising for Pitch Wars

In addition to promising to talk about my Pitch Wars mentors’ books (I’ll feature Kristin Smith’s books next week!), I said I’d share my revision process, so here goes.

A week after the Pitch Wars announcement, I received a thirteen-page edit letter from my mentors, as well as an invitation to view a Google Doc with line edits on the full manuscript I submitted for consideration. Neither of these documents were really as overwhelming as they might seem. I have two mentors, so the length of the edit letter had a lot to do with two writers making comments on it, I think. Both mentors wrote an introduction, followed by comments on chapters as they saw issues (some chapters didn’t have comments–yay!), and then there were character notes and miscellaneous thoughts at the end. As for the line edits, they’re super helpful as I’m revising because many of them point out places my mentors love and I should definitely keep, not just areas I need to fix.

So how have I approached this?

1. A huge sigh of relief. My mentors are amazing! I knew this manuscript wasn’t there yet. It’s why I entered Pitch Wars. Kristin and Beth’s recommendations for enhancing my manuscript and taking it to the next level were fantastic. We emailed back and forth on a couple of suggestions where I had reservations and brainstormed alternate solutions. But the thing was, I wouldn’t have come up with alternate solutions if they hadn’t pointed out they had an issue with the way things currently stood.

2. Create an outline listing how I proposed implementing the suggested changes in the manuscript. The nice thing here is that I already had all of the outline information in my Scrivener file. I set it up before I drafted the novel, so all I had to do was export my outline and update it according to the changes I planned to make.

In addition, I included extensive revision notes. For the few new chapters, the revision notes were pretty much a step-by-step guide through the chapter. This outline took me about four or five days to complete. Here’s an example from an early chapter, since I don’t want to give too much away :).

3. Send the outline to my mentors for approval. Even though my outline addressed all of my mentors’ suggestions, either incorporating them or explaining why I felt another solution worked better, sending in the outline had me biting my nails. Was I suggesting enough? Would I need to go back to the drawing board and come up with different solutions? But it turned out I had nothing to worry about. My super-supportive mentors loved my outline, and while they had a few tweaks and additional suggestions, they gave me the go-ahead to start revising.

4. Input the outline changes and revision notes into Scrivener. It may seem like extra work to output the outline and then put it back into Scrivener, but it took maybe an hour of cutting and pasting, and I like to have everything in my Scrivener file as I’m working. So as I’m revising, that same chapter you saw above looks like this in Scrivener. (When I’m tackling a revision on my own, I skip straight to this step and put all my revision notes into Scrivener, except with this particular manuscript I did go through this outline-with-revision-notes process on an earlier draft with two of my critique partners. That’s how I knew it was such an easy way to approach explaining what I planned to change.)

5. Start revising! Once I had my Scrivener file all ready to go, I started revising chapter by chapter. My system is:

a. Tackle chapter revision notes.

b. Incorporate line edits from my mentors.

c. Complete a repeated word search for the chapter. Yes, this slows down my revisions a bit. However, everyone who’s read this manuscript has commented on pacing as a strength, and I think one factor is that I weeded out repeated words chapter-by-chapter early in the revision process. Since I’ve done it before, I’m not doing it as detailed during this revision, particularly on the chapters that don’t have a ton of changes. But for the brand-new chapters (I’ve already written two), you bet! Because I still tend to use the same words over and over, and searching for those repeated words ensures each character sounds unique and that I’m using the best word in each instance. Okay, I’ll get off my soapbox now, but you can refer to my post on why you might want to change a word, even if you only use it twice in a chapter.

So where am I now?

Making great progress and excited about how the changes I’ve already made are positively impacting the manuscript. This process is fantastic, and no matter how the agent round pans out, I’m confident YOUR SECRET’S NOT SAFE WITH ME will be a much stronger manuscript. I’m so thankful for Kristin and Beth’s insight and support, as well as all of my CPs who got me here in the first place.

While I’m applying this process to Pitch Wars revisions, it could be used to tackle any major revision. As I mentioned above, I used it with my CPs when working through some issues on an earlier draft. Also, if you have a revise & resubmit with an agent or editor and they’re open to seeing what you plan to do with the revisions before you start on them, you could use this sort of system. It just depends on how much detail they want.

Now I’d better get back to revising!!

Contests, PitchWars, Revising, Writing

I’m a 2017 Pitch Wars Mentee!!

Based on this title, some of you are probably wondering whether I’ve been drafted into an a cappella group (I was tempted to break into song) or some sort of strange cult. Don’t worry–well, the a cappella group wouldn’t be cause for concern–it’s an amazing, wonderful, exciting opportunity! (I could continue adding on adjectives, but I’ll stop.)

Basically, Pitch Wars is an annual contest to which writers submit a not-quite-there manuscript to mentors for consideration. These mentors are industry professionals (usually agented and/or published authors or editors) who provide detailed feedback on the manuscript and work with you to get it ready for querying. But not only that, there’s an agent showcase at the end of two months, and because of the mentoring aspect of the contest, it holds a lot of weight with agents.

Friends, I am so thrilled to be selected this year with YOUR SECRET’S NOT SAFE WITH ME. I’ve tried before, with three of my previous manuscripts, and I’ve gotten close. I know because I received emails afterward from mentors telling me I was among their top choices. I even had a potential mentor tell me I should probably go ahead and query, and that project ended up getting really close with agents too, but as any of you who follow my blog know, I haven’t yet found the right fit. So I’m absolutely ecstatic to have this opportunity.

Even better, I get to work with TWO fabulous mentors–Kristin Smith (CATALYST and FORGOTTEN) and Beth Ellyn Summer (AT FIRST BLUSH). I can’t wait to see what plans they have for my manuscript, but I know I’m in good hands because I read their books (technically still reading Kristin’s sequel :)), and you should too! Don’t worry, I plan to tell you more about their books later because, of course, that’s what I do :).

I’m sure I’ll end up blogging about the revision process too, because that’s also what I do. For now, I’ll leave you with a picture of my new puppy, Rey, playing with bubbles. Because why not?

Agents, Contests, Querying, Revising, What I've Learned, Writing

What I’ve Learned in Five Years of Querying

I’ve become a huge fan of the memories that pop up on Facebook. It’s a fun way to look through old photos, videos, and the occasional comment. Anyway, on July 3, a writing-related post showed up that made me smile and shake my head at the naive Michelle of five years ago, but it’s appropriate to this post, so I’m going to share it. Here’s what I put on Facebook July 3, 2011:

Novel update: For those of you wondering, the novel is finished! At least for now … I’m going to start submitting to agents when we get back from vacation. Once I find one, there’ll be more revisions, then once it goes to a publisher, more revisions. It’s a very long process! So now I’m writing the next one…

Well, I was right about it being a very long process! That particular novel, which was then titled ESCAPE FROM THE UNDERGROUND CITY and you can now find as THE MODERN CAVEBOY’S GUIDE TO SURVIVING BATS, BULLIES AND BILLIONAIRES under the Writing tab, eventually got shelved. I’ve since queried three other novels and currently have a fifth novel out with agents. I sent out that first batch of queries for CAVEBOY on July 11, 2011, and one year later I posted what I’d learned. It’s become a tradition to add to my experiences each year, and I now have posts for two, three, and four years of querying. I try to keep the points new each year, but it’s getting harder :). Here we go!

No matter how optimistic you are, you’re also a realist. I start every morning thinking, “This could be the day an agent offers representation!” But whenever my Gmail dings, I tell myself it’s a rejection. Why? Because even though I believe that offer will eventually come, I can’t get my hopes up every time a new email comes through. I’ve been disappointed too many times. One day, when I have that how-I-got-my-agent story to tell, I’ll share the statistics. I mean, this is a five years of querying post, so you know that adds up to a lot of rejections!

As your friends sign with–and leave–agents, you get an inside look at those agents and start to form opinions about them. I mentioned last year that the caliber of my critique partners and beta readers has gotten higher and higher. It’s because we started out together years ago and many of them have gone on to sign with agents and even be published. As that’s happened, I’ve listened to their experiences. A few have quietly parted ways with their agents. They’ve shared the details with me behind the scenes, and in a few cases I’ve removed agents from my list. But for others, it was simply a matter of that writer and agent not being a fit–not necessarily an issue that would apply for me or other writers. The best testimonials, of course, are the writer friends who recommend their agents highly.

The more connections you make, the harder it is to enter contests because it’s more likely you know the organizers/judges. In year one, I learned the benefit of contests, and I still think contests are a great strategy to get in front of agents. The thing is … I’ve really tapped that contest market and made excellent connections. So it starts to become awkward. There are contests I can’t enter at all because my friends are running them and others where my choices are limited because my CPs have connections to them. There are always Twitter pitch parties, though!

You start to feel almost ambivalent when you send out queries. I remember the buzz I felt five years ago when I sent out my first batch of queries, how anxious I was to check my email for responses. It’s dulled significantly over the years. I still felt it somewhat when I started querying my fourth manuscript, but with the fifth one, even though I knew it was my best work yet and had the highest probability of anything I’d written of garnering agent interest, I found myself less concerned about how each individual agent would respond. My sense of worth in my writing ability wasn’t so attached to their interest in my manuscript. I’m not sure if that means I’ve achieved some level of zen or peace or what. To be honest, it kind of concerned me that I wasn’t caring enough. Don’t worry, though. I still care about the submissions!

You might have to turn down an opportunity because your gut says it’s wrong. Maybe it’s an agent you thought would be a fit–because you shouldn’t be wasting an agent’s time with a query if you wouldn’t consider signing with him/her!–and then you talk and realize you have a different vision for your manuscript. Or maybe you receive one of those if rejections. Some of you understand what I’m talking about. An agent (or editor) says, “I’d be willing to take another look if you do x, y, z.” It can be a heady email because it means the agent loved something about your work. Here’s someone who believes you have potential, so of course you should do whatever he/she says! Except … make sure that if involves changes you can live with and believe in, because it’s still your story. Only revise if you agree with the suggestions. If you don’t, walk away, no matter how hard it may be. If you can’t overcome your doubts, it’s probably not the right fit for you. But if the changes resonate with you, by all means, revise away!

You never know for sure if something will work until you try it. There may come a time when you want to try a creative element with a manuscript–maybe write it out of order or write it all in tweets or–ahem–include screenplay scenes. It might be exactly the right thing for your manuscript. Or it might not. Sometimes you have to put it out there to the people who know the market (agents/editors) to get a true read on it. But if you are trying something unique with your manuscript, keep a close eye on your feedback and be prepared to revise if it turns out the market isn’t ready for your text-messages-from-your-dead-cat manuscript. (Hmm … that might be funny!)

Just because an agent has never requested from you before doesn’t mean they won’t now. I’ve said the opposite of this before. There’s an agent who requested three of my previous manuscripts and didn’t even reply to my current one, but that’s okay. It’s obviously not her thing. But to prove my current point, multiple agents who’ve rejected all of my previous manuscripts have requested this one, so you never know. It’s always worth trying an agent again because maybe your current project is the one that will finally get the agent’s attention.

It’s okay to return to a project you really love. I’ve shared elsewhere about how I haven’t been able to let go of my second project, which is now my work-in-progress again. I felt sort of guilty at first, like it might be a waste of my time to focus on a novel I’d queried extensively and ultimately had to shelve. But I kept having new ideas how to fix it, so I gave myself permission to return to it, and I’m so glad I did. With three more years of writing experience to bolster it, I know it’s a much stronger novel. Now it’s just a matter of deciding what to do with it!

If you have the means and opportunity to meet your online writing friends in person, do it! You know those critique partners who read your manuscripts multiple times, suffer through your email rants, and generally are the best cheerleaders in the world? I have several of those in my camp, and I’ve been working with them for years, but until a couple of months ago, I’d never met any of them in person. NESCBWI was the perfect opportunity to meet not only one of my longtime CPs, but also a number of other writers and published authors I’ve chatted with online. I wouldn’t give up the emails, Twitter DMs, or gchats for anything, but the in-person time was so valuable. I don’t know if I’ll be able to do it every year, but it’s now my mission to travel around and meet up with my other CPs, too!

So that’s what I learned in year five. I guess I’ll start working on year six lessons tomorrow, because I’m definitely not giving up! What have you learned on this querying journey? Anything you’d like to share?

Contests, Pitching, Querying, Twitter, Writing

5 Signs You Should (or Shouldn’t) Be Tweeting Tomorrow

Last fall I wrote a popular post featuring two contests that were happening on the same day–On the Block and #PitMad–and I’ve revived it the last couple of times #PitMad popped up, but I decided it was worth updating the post to only cover #PitMad, so here goes.

In case you’re new to the Twitter pitching circuit, #PitMad is a twelve-hour pitch session that happens four times a year, dreamed up by contest queen Brenda Drake. I’ve participated in the past and received requests. It’s a great opportunity to discover agents who are interested in your premise–since that’s all you have room for in 140 characters :). On the eve of this opportunity, here a few words of both encouragement and caution.

5 Signs You Should Be Tweeting Tomorrow

  1. You have three solid tweets–or one amazing tweet–prepared. I’m not just talking something you’ve come up with off the top of your head. I mean you’ve run these tweets by people who’ve read your manuscript and people who haven’t to ensure they make sense and will draw interest. You are only allowed to tweet three times. It can be the same tweet, although if you’re only using one, it had better be so spectacular it’s worth not trying out two other variations. Because you never know how a different wording might strike one agent’s fancy and not another’s.
  2. Your opening pages are solid. Rarely does an agent ask for a full from PitMad. It’s likely that if an agent or editor likes your tweet, they’ll be asking for sample pages first, and as with any querying experience, that first impression is all-important.
  3. You have all of the necessary querying materials prepared. As with the opening pages, agents could ask for a synopsis or even a bio, so make sure you’re ready.
  4. You are 100 percent confident in your manuscript RIGHT NOW. If an agent likes your tweet tomorrow, they expect you to send your manuscript right away. It’s not an “I’m interested in seeing it whenever you have it ready” kind of thing.
  5. Your readers/other writers have told you it’s ready. Chances are you’ll never think it’s ready on your own, but if other people are telling you it’s the best thing you’ve written and agents are going to jump on it, that’s the best recommendation you can have to start testing the query waters. Might as well start with PitMad!

5 Signs You Should NOT Be Tweeting Tomorrow

  1. You are still waiting on feedback from someone. If you still have your manuscript out with a beta reader or critique partner, WAIT FOR IT. I know this is hard, guys. Believe me. There’s this fantastic opportunity to get in front of agents and it won’t happen again for months and … I’m going to stop you right there. Never rush sending out your manuscript. Getting a complete picture of what it needs is more important than a pitch contest, no matter how exciting it is to dive in.
  2. You don’t have a strategy for your manuscript. Do you want an editor? An agent? What kind of agent? PitMad is open to all kinds of industry professionals, so you should know what you’re looking for before you participate. You don’t have to respond to every like you receive, particularly if you think a publisher or agent may be sketchy. I recommend knowing what you want before you participate, but if you decide to test the waters anyway just to see who’s interested, make sure you research them all before you submit anywhere.
  3. You just want to see if agents or editors are interested in your concept. Just … no. If they ask you for more and what you send them is not query-ready, you’ve just wasted a first impression. You can’t go back to them later and say, “But I fixed it now!” You also can’t say, “It’s not ready yet but I’ll send it to you when it is.” By the time you have it ready, they might not be interested anymore. So much of this industry is catching the right person at the right time.
  4. It’s the best opportunity ever. I get how much of a thrill it is to have your pitch liked by tons of agents–or even just one. I think every contest or pitch opportunity that’s coming up seems like the most important, best ever–whether that’s Pitch Madness, Query Kombat, PitMad or the other Twitter pitch fests out there–but not if you’re rushing things to submit. I can’t stress that enough! Make sure it’s ready. Agents will assume it is if you put it out there.
  5. Everyone else is doing it. I can understand this temptation tomorrow, when you see everyone else tweeting pitches. It would be so easy to dash off a tweet, just to see … but don’t do it unless you’re ready. Like your parents always said, if everyone else was jumping off a cliff, would you do it? Don’t be a lemming!

Best of luck to everyone pitching during PitMad tomorrow. And if you decide to hold off, remember that many, many writers have found their agents the old-fashioned way through the slush pile. Since I’m not in a position to pitch tomorrow, that’s the route I’ll be taking!

Contests, Writing

I’m on Team Ravenclaw for Pitch Slam!

For those of you curious about my current project, AS SEEN ON EVIE, I was selected for Team Ravenclaw in the Harry Potter-themed Pitch Slam contest. Over the next few days, agents (or Professors, as the contest has deemed them 🙂 ) will be awarding points to entries within the different houses, which equate to number of pages requested. I’ll find out on Monday afternoon if any agents have been intrigued enough by my entry. No matter what happens, it is a huge honor to have been selected for a team. Here is the link:

http://www.lauraheffernan.com/2015/10/7-pitchslam-as-seen-on-evie.html

I just have to say that although my characters would probably be sorted into Slytherin (the cunning and ambitious Justin) and Hufflepuff (patient and loyal Evie), I definitely belong in Ravenclaw. The online test told me so.

To everyone who entered, kudos to you for putting your work out there! If you got in, fantastic! And if you didn’t, I’ve been there–even recently :). Every contest is subjective, and I always believe there’s a reason for everything, whether it’s the timing or the mentors/agents involved. I received some wonderful feedback from the last contest I didn’t get into that I applied before this one, and I incorporated comments from both feedback rounds of Pitch Slam before submitting my final entry. Onward and upward!

Contests, Pitching, Querying, Twitter, Writing

5 Signs You Should (or Shouldn’t) Be Submitting/Tweeting Tomorrow

So there are a couple of amazing opportunities out there tomorrow for writers who have a manuscript ready to query. One is the incomparable Authoress’ new On the Block contest, a progression from her very popular Baker’s Dozen contest. The other is #PitMad, a twelve-hour pitch session that happens four times a year, dreamed up by contest queen Brenda Drake. I’ve participated in both of these in the past (well, Baker’s Dozen) and actually received quite a bit of interest on my last manuscript for both. I may even still be waiting on a few agents to respond … ahem. Anyway. On the eve of these opportunities, I thought I’d throw out a few words of both encouragement and caution.

5 Signs You Should Be Submitting/Tweeting Tomorrow

  1. You have a solid logline/tweet prepared. I’m not just talking something you’ve come up with off the top of your head. I mean you’ve run it by people who’ve read your manuscript and people who haven’t to ensure it makes sense and will draw interest.
  2. You have a solid first page/first pages. In the case of On the Block, being selected rests on that first page, so it’s very important where that 250-word sample ends. But the first pages are important for PitMad, too, because it’s likely that if an agent or editor favorites your tweet, they’ll be asking for sample pages before a full.
  3. You have all of the necessary querying materials prepared. This point is more for PitMad as On the Block will end up being a certain number of pages, but agents could ask for a synopsis or even a bio, so make sure you’re ready.
  4. You are 100 percent confident in your manuscript RIGHT NOW. If an agent favorites your tweet tomorrow, they expect you to send your manuscript right away. It’s not an “I’m interested in seeing it whenever you have it ready” kind of thing. And maybe with On the Block you think you could get away with submitting your logline and first page tomorrow and then tweaking the manuscript before the go-live date. Well, perhaps you could, but what if you get into those tweaks and discover there’s more work to be done than you realized? You shouldn’t be gambling with those agent opportunities that way.
  5. Your readers/other writers have told you it’s ready. Chances are you’ll never think it’s ready on your own, but if other people are telling you it’s the best thing you’ve written and agents are going to jump on it, that’s the best recommendation you can have to start testing the query waters. Might as well start with PitMad or On the Block!

5 Signs You Should NOT Be Submitting/Tweeting Tomorrow

  1. You are still waiting on feedback from someone. If you still have your manuscript out with a beta reader or critique partner or–since I expect this may be the case for a number of writers out there–are waiting on feedback from a PitchWars mentor who promised it, WAIT FOR IT. I know this is hard, guys. Believe me. There’s this fantastic opportunity to get in front of agents and it won’t happen again for months and … I’m going to stop you right there. Never rush sending out your manuscript. Getting a complete picture of what it needs is more important than a pitch contest, no matter how exciting it is to dive in.
  2. You don’t have a strategy for your manuscript. This particular point is more for PitMad than On the Block, which is agent-focused. Do you want an editor? An agent? What kind of agent? PitMad is open to all kinds of industry professionals, so you should know what you’re looking for before you participate. You don’t have to respond to every favorite you receive, particularly if you think a publisher or agent may be sketchy. I recommend knowing what you want before you participate, but if you decide to test the waters anyway just to see who’s interested, make sure you research them all before you submit anywhere.
  3. You just want to see if agents or editors are interested in your concept. Another PitMad comment here and just … no. If they ask you for more and what you send them is not query-ready, you’ve just wasted a first impression. You can’t go back to them later and say, “But I fixed it now!” You also can’t say, “It’s not ready yet but I’ll send it to you when it is.” By the time you have it ready, they might not be interested anymore. So much of this industry is catching the right person at the right time.
  4. It’s the best contest ever. I get how much of an honor it is to be selected by Authoress for one of her contests. I was there last year in Baker’s Dozen, and it was an honor–but I also was ready with that manuscript. I’m sure this new contest will be equally prestigious and exciting to see your entry singled out and bid on by more than a dozen agents. I think every contest that’s coming up seems like the most important, best contest ever–whether that’s PitchWars, The Writer’s Voice or this new On the Block–but not if you’re rushing things to submit. I can’t stress that enough! Authoress (and I assume Jodi Meadows again) only see your logline and first page, so they don’t know if the rest of your manuscript is ready. YOU are the only one who knows that. Don’t submit if you’re only doing it on the strength of your first page and not the entire manuscript.
  5. Everyone else is doing it. I can understand this temptation tomorrow, when you see everyone else tweeting pitches. It would be so easy to dash off a tweet, just to see … but don’t do it unless you’re ready. Like your parents always said, if everyone else was jumping off a cliff, would you do it? Don’t be a lemming!

Best of luck to everyone submitting to On the Block or pitching during PitMad tomorrow. And if you decide to hold off, remember that many, many writers have found their agents the old-fashioned way through the slush pile. When I have this current manuscript ready, that’s the route I’ll be taking!