After the Book Deal, Research, Revising, Writing, Your Life Has Been Delayed

After the Book Deal: All the Doubts!

Elizabeth, Me, Allison

Hey, friends, I promised I would give an update once I had gone through another round of edits, and I just finished on Friday. Boy, was I glad to send those edits in! But, first, let me just share that I got to do something very exciting earlier this month, which was to meet my editor, Allison Moore, in person. Here we are in the Bloomsbury offices, along with my agent, Elizabeth Bewley. I also had the privilege of meeting many other Bloomsbury team members, in marketing, publicity, design, and editing. I am so excited to be working with all of them!

On to the editing process! A lot of life had happened for me since I turned in my first round of edits (broken foot! starting a new book! kid stuff!), and so when I received the second round, I had to completely realign myself to YOUR LIFE HAS BEEN DELAYED again. Even though I had been in a cycle of writing a book, querying, starting a new one for many years, this still felt different. In any case, my second round of edits was nowhere near as extensive as the first. My editor included some overall notes plus line edits. We set a deadline for me to turn them in three weeks later, and it seemed like no big deal. In one sense, it wasn’t. But here’s where the title of this post comes in: a huge wave of doubt and second-guessing myself hit as I was going through the notes.

Why now? Perhaps it’s because my editor said my book was in pretty good shape–not that I think this means I’ll be done after this round of edits–and that means everything is REAL. Before, even though I was super-excited, it still felt unreal. But people will actually be reading this book and have opinions about it at some point in the near future. Winter 2021 doesn’t feel nearly so far away in that context.

So, suddenly, I started re-checking every fact, even things my editor hadn’t flagged for me to double-check, out of my own self-doubt. If you aren’t aware, my book is about a girl from 1995 who travels to 2020, so while it isn’t set in the nineties, it’s still about a girl whose world view is the nineties. Even though I grew up in the nineties, I did not rely on memories alone. When I first wrote the book, I went through yearbooks, watched documentaries, did a ton of internet research, talked to people who were teens in the nineties, watched movies and read books from that time. And… I did that much of that all over again during this draft, just to confirm what I already had. I did end up making a few tweaks, but still.

So here’s a funny story about redoing my research: As you know if you’ve been following me, I use Scrivener. One of the features I love is that I can pull all of my research into the same file where I’m writing and just scroll down to it as a reference. Well, when I went to import some of this new research into Scrivener, I found that I’d already imported that same information the first time I researched.

Ah well. In the end, I came to the conclusion that when people ultimately read my book, there will probably be some adult readers who take issue with particular points regarding the nineties based on their own experience or think “Clueless” is an accurate representation of technology in 1995 (sooo not life anywhere but Hollywood and I bet not even there). Like anything else, my book is about how my character experienced technology and the world up to that point. And that’s always the trick when writing, right? That not everyone has the same experience.

What I do know is that with every round of edits my book gets better. Despite the doubts, I’m excited for it to be out in the world and love the team that is helping me get it there!

So, now that my second round of edits are off, I am diving back into my new project and gearing up for the craziness of that time between Halloween and the holidays.

Stay tuned for another update soon.

After the Book Deal, Revising, Writing, Young Adult, Your Life Has Been Delayed

After the Book Deal: Next Steps

So, it’s been a couple of months since my book deal was announced, and invariably I get the same question from friends and family when I tell them my book will be coming out in winter 2021:

Why is it so far away???

Um, do you know how much goes into publishing a book? If you haven’t been through it, probably not. I’m learning as I go along, so I will share my experience, which won’t be the same as everyone’s.

What I can tell you are the steps so far.

First, there was a ton of celebrating because I HAD A BOOK DEAL!! There are times when this still doesn’t feel like a real thing. After querying agents for so many years, then signing quickly with Elizabeth and then Bloomsbury for this book, it was quite a crazy ride. However, I will never forget–and I don’t want anyone else to either–that there were seven years of learning and building up my skills that happened before that whirlwind. Sure, there are writers who get there with their first book, but it’s not the norm. Sorry if that seems like a downer, but even though I’m an optimist, I’m also a realist. Thus the feeling of unreality.

Next, there was the waiting for the announcement. Oh, did you think the deal got announced the day we agreed to it? Nope, that’s not how these things work. You have to keep it SECRET until things are all tied up and ready to be announced publicly. Let me tell you, it’s really hard not to hire a skywriter to fly around with a huge sign saying “I HAVE A BOOK DEAL.” But then, once the announcement is out, there’s a whole other round of celebrating with all of the writing friends you’ve made along the journey, and that’s a ton of fun.

Then, it’s time to get to work. Woohoo! I mean, you didn’t think revisions were over once a publisher buys your book? Personally, I love revising, and I’d talked to my editor before we signed about what she had in mind for the book, so I had an idea what to expect. There was just one teensy little glitch. My editorial letter arrived the same day as these:

Yep, I’m the cookie mom for my daughter’s Girl Scout troop. Now, lest you think my editor is a horrible task master, I never told her this was happening at the same time–or that my daughter’s talent show also got rescheduled during this same window and I was running rehearsals for her act. Or planning friend and family birthday parties for my son. Um, yeah, February and March were absolutely CRAZY. And the weather didn’t help, as things kept getting canceled and rescheduled, including the cookie season getting extended an extra week so that I ended up having to finalize cookie sales the same day I turned in my edits. I was leaving for vacation the next day, and I was about to lose my mind. But, the thing is … I like deadlines. And I REALLY wanted to turn in my first-round revisions before I left for vacation. Because when I did leave on vacation and had nothing left hanging over me, it was AMAZING. It felt like a huge reward for everything I’d finished. I’m so glad I didn’t ask for an extension (which my editor totally would have given me because she’s awesome).

But anyway, back to the edits themselves. I’m sure you’re wondering what it’s like to revise with an editor. It’s fantastic but challenging–as it should be. When you get to this point, your book is going out into the world. It’d better be ready for that. My editor asked in-depth questions and told me this was just the beginning of what we’d be working on, so I know there will be more work to do. I read through her notes, and then we talked on the phone before I started revising. How did I tackle my revisions with all those other distractions going on?

First of all, I kept my online activities to a minimum during the five weeks I was revising. If you were here on my blog you saw reviews every week, but that was misleading, as I scheduled all of those before my edits and the cookies arrived on Feb. 13. I even took photos and drafted captions for Instagram posts in advance so I could just post them on the days the reviews went live. I was on Twitter some the first couple of weeks, but after that it was mainly just to lead people back to my reviews on the blog or give updates on my revision progress as I didn’t want to disappear completely. I actually turned my phone upside down so I wouldn’t see notifications.

Next, in case you’re new here or just need a reminder, I do EVERYTHING in Scrivener, so I imported the document from my editor into my Scrivener file. It included all of the questions from my editor, the notes I’d made in response, plus the notes from our phone conversation. Then, I made a revision checklist. This checklist was a compilation of both little items I could check off quickly and major things I needed to fix–like rewrite the ending :). What works best for me is to start with the biggest items first and work down to the smaller items for a couple of reasons. One: they will take the most time and then they are out of the way. Two: I will have the most distance from those items when I get to the bottom of the list and am reading back through everything to see if I nailed them or they still need more work.

So, as you perhaps guessed from what I stated above, I did not revise linearly, by reading straight through the manuscript and tackling items as they popped up. Instead, I addressed each big-picture item individually, which Scrivener makes so much easier to do than, say, Word. I’ve blogged about this before, but the way that I did this was by using the Collections feature. I had already created collections for various subplots in the book (the love interest, the best friend, the antagonist, etc.), so it was easy to click into those collections and revise just those sections. Sometimes notes on these areas overlapped and so when I went into another subplot I’d already tackled something, and that was just a bonus :). This worked really well because by the time I got to the read-through, I had some distance from those big-picture items and could ensure the continuity was working.

Another feature I made use of during revisions was the split-screen option, for several purposes. I could pull up my notes from my editor while working on a scene to compare what I was doing to what we’d discussed. Or sometimes I would pull up two different scenes to compare how I was foreshadowing a particular incident or if I wanted to move something how it impacted the other scene. Or just keep my checklist open while I was working through scenes. Super helpful!

Does this mean my book is ready to go? Ha ha ha! There’s the answer to that question: Why is it so far away???

Because next I will have another round of edits. If you were reading closely, you saw that my editor said this was just the first round of changes she wanted to address. As I was working on the edits, I could totally see that there were areas we weren’t touching yet, and maybe that was because they were fine, but maybe that was because they were for the next level of edits. Plus, once you make a round of changes, you always open yourself up to potential new issues. It’s the nature of the beast.

But I’m excited because I know this book is getting better and better. I’ll continue to update here as I go through the publishing process. I’m not sure if I will approach revisions any differently the next time around, but if I do, I’ll be sure to share. At least I shouldn’t have cookies to deal with. But you know what? There will probably be something else, and that’s okay because I actually thrive on that sort of pressure. Bring it on! The payoff is worth it.

Writing

A Love Letter to My Completed Manuscript

In June, I wrote a love letter to my work-in-progress, when it was still shiny and new to me, before I sent it out to my first round of readers. Since I love this manuscript even more now that it’s no longer in progress, I thought it deserved another love letter.

Dear Manuscript,

When I sent you off to those first several readers a few months ago, I was buoyed by the sense that you were the best thing I’d ever written. That everyone who read you would love you as much as I did.

Of course, they saw your flaws. Those first readers, and the second, and the third. They pointed out where you floundered, looking for purpose, where you didn’t make sense, where you needed more tension. BUT, they also saw your strengths and what I loved about you. They gave me insightful comments about how to make you shine before I sent you out into the much broader world.

So now, instead of that blush of first love, we’ve been through months of hard truths and tricky problems. We didn’t always solve them on the first try, but we kept at it. We have survived, and you are so much stronger for it.

I loved you before, dear words, but now I love you even more. I’m sure you still aren’t perfect, but you are as ready as you’ll ever be. Not everyone will love you, and that’s okay.

I will always love you, dear words …

Michelle

Critiquing, PitchWars, Querying, Revising, What I've Learned, Writing

What I’ve Learned in Seven Years of Querying

A few weeks ago one of my writing friends posted a wonderfully inspiring tweet:

And I replied:

Technically, this statement isn’t true. If you’ve seen my posts on tracking my queries, you’ll know that I do keep track of my rejections. However, I’ve never totaled them up for all the manuscripts, and as I thought about this post, I realized it might actually be helpful to share that information. I always figured I’d save these numbers for a dramatic How I Got My Agent post, but since that hasn’t happened yet, let’s do it! But also, as I’m still querying my latest manuscript, I’m not tying any of these numbers to specific manuscripts.

Manuscripts: 6
Queries: 594
Query Rejections: 500
Partial requests: 31
Full requests: 75
R&Rs: 4

So there it is. A nice even 500 rejections. But wait! That’s only query rejections. When you add in the fact that those submissions and R&Rs didn’t turn into offers, I’ve squeaked over 600 (some of those requests were from contests rather than queries). Now, I did include queries and submissions for the manuscript I’m currently querying in these numbers, and I’m still waiting to hear on a number of those. Plus, there are a few agents who haven’t responded on a couple of my older manuscripts. Who knows? Maybe they’ll find it in their inbox and still make an offer :). (I am an eternal optimist.) Which brings me to my first and always lesson:

PERSEVERANCE

Basically, I’m not giving up, no matter what. I will keep writing until one of these manuscripts sticks. I mean, this is my What I’ve Learned in Seven Years of Querying Post, and it’s a tradition. I’ve written one for each year, so if you’re new here, that’s already going to tell you something. If you want to go back and read the others, here they are: What I’ve Learned in One, Two, Three, Four, Five, and Six Years of Querying.

But on to the other things I’ve learned this past year.

Being in a major contest like Pitch Wars doesn’t put a magic spell on your manuscript. Now, I want to be clear that I did not assume being in Pitch Wars would result in an agent. It’s more that I thought this manuscript would be more ready than any of the others and I would feel super-confident in my materials. I’d had multiple writing friends participate in the contest before, which is much more than an agent showcase, by the way, and so I understood going in that the main benefit of Pitch Wars was the mentoring. I’d entered Pitch Wars with three other manuscripts in the past and not been selected, with feedback varying from “You should go ahead and query!” to the sort of responses you get from agents: “Not right for me.” So when I was selected by a mentoring team (Hi, Beth and Kristin!), it felt like I’d done something right with this manuscript. I knew it wasn’t ready to query yet, and that’s why the timing of Pitch Wars was so perfect. I would work with my mentors to shine up the manuscript and start querying after the agent showcase. I was thrilled with the final product and happy with the requests I received during the agent round (I never expected to be one of the entries with dozens of requests). Where my expectations have stumbled a bit was in the querying afterward. As with every other project, I’ve questioned pretty much every aspect–query, first pages, the overall manuscript. So being in Pitch Wars didn’t magically erase all those doubts. Oh well. Fingers crossed the right agent is still considering it!

Participating in a mentoring contest brings your revision skills to a whole new level. As I started drafting and am now revising another manuscript, I’ve seen the benefits of working in-depth with two mentors. I have amazing critique partners, and they’re very honest with me when they spot issues in my work, but the difference with mentors is that they go even deeper, suggesting cuts and additions that a CP may not. As I started writing my latest project, I felt like I had two extra voices in my head asking me if I was addressing those weaknesses I’d had in my last manuscript. I believe this latest first draft was stronger because I went through the Pitch Wars revision process.

Seeing your name on the Acknowledgements page of a critique partner’s book for the first time is an amazing high. Several years ago I noticed there was a group of writers whose work I love who always thank each other in the acknowledgements page, and I thought, “Someday I will have a group of friends like that!” My group of critique partners and beta readers isn’t so close-knit that they’re all trading with each other, but several of them do chat with each other and share excitement over releases.

In any case, this spring marked the first time my name was in a friend’s book, and I definitely walked around the house making sure my husband and kids saw my name in there. There are two more coming up in the next year that I will get to celebrate as well. I don’t know how long it will be before my name is on the cover of a book, but for now I will cheer on my friends and continue reading the amazing work of the writers around me. There’s so much more to this writing journey than my work. I feel like breaking into a chorus of “We’re all in this together … ”

Find creative outlets with more immediate returns. I actually do a few creative things, but one creative outlet I’d missed recently was playing the violin, so last fall I joined a community orchestra. It was hard work. I hadn’t played classical music in years (I’d been playing only at church), so I had to practice A LOT, but experiencing the payoff of performing challenging music was very rewarding. Now that I’ve found it, I’m not giving it up. I need that opportunity to express myself creatively and see the end result.

So that’s what I’ve learned this past year, and I’m hard at work revising the next manuscript I plan to query. Because of that lesson I already shared but it doesn’t hurt to mention again …

PERSEVERANCE!

To those of you who are persevering with me, keep at it! I’m cheering for you.

Revising, Writing

A Love Letter to My Work-In-Progress

As I sent my latest manuscript off to first-round readers today, it occurred to me it’s a lot like how you feel when you start dating someone and you’re so anxious for all of your friends to like that person as much as you do. You want their opinions, even though you secretly want them to tell you this person is perfect already. Of course, no one is perfect, just as no manuscript is perfect, particularly not an almost-first draft. Anyway, here’s the note I mentally–and now physically–drafted to my WIP :).

Dear Work-In-Progress,

I think you might be the best thing I’ve ever written! I am so in love with you right now–and so happy you’re finished!

I’ve told my writer friends about you, and they love the idea of you. Sure, they haven’t read you yet, but I’m positive when they do, they’ll love you as much as I do. They won’t rip you to shreds. They won’t nitpick about your character inconsistencies or point out where you’re completely unbelievable or zero in on your weaknesses–because in this moment you don’t have any of those. You are bright and shiny and beautiful.

Okay, I have to be honest. You probably aren’t perfect. I’m probably blinded by the glow of first love. But that’s all right. When the notes return and I must tear you apart and kill some of your most darling lines, I will return to this note so I can remember how much I loved you at the beginning. Because love is a commitment, and we are in this for the long haul.

Until we meet again, dear words …

Michelle

 

Revising, Writing

A Revision Plan of Attack Using Collections in Scrivener

I intended to write a celebratory post when I finished drafting this latest work-in-progress, but I never got around to it. I’m now nearly through my self-imposed month of letting the manuscript sit, but I certainly haven’t been idle. Even without reading through the manuscript again, I already have a ton of notes jotted in my Scrivener file. I spent several days brainstorming a title for the manuscript, but it took a morning sitting in the airport, the airline sending me constant updates about our flight, to make a light bulb go off in my brain.

“Your Flight Has Been Delayed,” the email said over and over. And while that would be pretty on the nose for my novel, it needed a slight change.

YOUR FLIGHT LIFE HAS BEEN DELAYED

I guess this title would make more sense if I told you what the manuscript is about, huh? Here’s my working query, which I’ve also added to my Writing tab.

When seventeen-year-old Jenny Waters boards Flight 237 on Aug. 2, 1995, in New York, she has two main goals. First, convince her parents to let her apply to the journalism program at Columbia University. Second, woman up and kiss her boyfriend of three months.

But when Jenny and the other passengers disembark in St. Louis, the airport manager informs them their plane disappeared—25 years ago. Like the universe hit pause on their plane while the rest of the world kept moving. In 2020, newspaper reporter isn’t exactly a top career choice, and as for her boyfriend, well, all his kisses belong to Jenny’s best friend. His wife. And they’re both in their forties.

As if trying to adjust to a new century isn’t hard enough, a conspiracy group called the Time Protection League sets out to prove Flight 237 is a big hoax. When Jenny’s not dealing with rumors she’s a clone, she’s fighting her attraction to Dylan, who introduces her to everything that’s good about her new present, like Harry Potter and late-night texting.

Too bad Dylan happens to be the son of Jenny’s former boyfriend and BFF. Yeah, that’s not awkward.

ONCE UPON A KISS meets Lost in YOUR LIFE HAS BEEN DELAYED, a 75,000-word young adult contemporary novel with speculative elements.

Obviously the word count will change once I start revising, but it’s a start.

One of the Scrivener features I plan to use as I revise is to create Collections so I can analyze certain areas of the manuscript in smaller chunks. For those of you who aren’t as familiar with Scrivener, a Collection is a group of scenes/chapters that you tag to belong to a group–or Collection–and can then view separately. Any changes you make to the scenes while viewing in the Collection are updated in the main manuscript. It’s simply a way to view them differently. This screen shot shows how I used Collections to separate out the two viewpoints in my YA contemporary, AS SEEN ON EVIE. The Evie scenes are grouped together, and above there’s a separate collection for the Justin scenes.

For this manuscript, I only have one point of view, but there are several subplots I want to analyze for various reasons. I plan to create Collections so I can go through the plot points for each of those subplots and do several checks–character descriptions and dialogue, plot progression, consistency, and other details. Creating the Collections is pretty simple.

  1. Click on the scene you want to include in the Collection.
  2. Click on the little arrow next to the settings icon at the bottom of the Binder.
  3. Select Add to Collection, New Collection.
  4. Type in the name of the Collection.
  5. For any other scenes you want to include, right-click and the name of the Collection will pop up. You can then view all scenes in that Collection by clicking on its name in the Binder.

           

I anticipate separating out the love story, friend drama, conspiracy group, and interactions with other people who were on the plane with her will help ensure those plots all have their own mini plot arcs and then fit into the overarching story. I love that Scrivener makes this easy to do.

What tricks do you use to ensure your subplots hold their weight within the overall story?

Character, Writing

What I Learned Re-Reading the First Manuscript I Queried

I’m going to be completely honest here. I’m not really referring to the first manuscript I ever queried. Because that one was ten years ago, and it was this crazy adult time-travel Christian romance that I didn’t even let anyone read before I queried it (I know! Rookie move!). I had no idea what I was doing, and so I don’t consider that for real. What I’m talking about here is one you can see here on my blog–THE MODERN CAVEBOY’S GUIDE TO SURVIVING BATS, BULLIES AND BILLIONAIRES.

I wrote this book like seven (or eight?) years ago now, and I started querying it on July 11, 2011. So when you see those milestone posts on my blog about how many years I’ve been querying, it’s this manuscript that started it all. The reason I’m re-reading it is because I’ve decided to self-publish a copy as a Christmas gift for my nine-year-old. I mean, it’s officially shelved for any real publishing purposes, but my son will love it.

I thought it would be interesting to share what I learned about my growth as a writer while reading this old manuscript. Overall, I still thought the story was fun, and I got a lot of things right, but the issues I spotted are issues many new writers encounter, even with the help of critique partners and beta readers. For most writers, it just takes time to learn the craft and trust your gut enough do what’s right for your manuscript (you’ll understand what I mean by that second part when you get to point number four). And for the lucky few who get published on that first manuscript, I salute you!

1. I hardly used any interiority.

There are action beats and dialogue tags, but if I really wanted to whip this manuscript into shape, I’d add a lot more thought from my main character. There’s some interiority (and if you don’t understand what I mean by that, check out Mary Kole’s post here), but I wanted so much more emotion and explanation from him.

2. So many questions!

When my main character does have interiority, he’s constantly asking questions. It’s okay to use questions sometimes, but in general it’s better to rephrase them into statements. They’re stronger and more active.

3. The story is so plot-focused there’s not much depth to the characters.

This goes along with the first point but also applies to the supporting characters. I gave each of the characters one or two things. The main character has an anger management problem. His sister is brainy. His best friend is bubbly and supportive. But other than that? There’s not much. I could’ve done so much more with it.

4. The early chapters are rushed.

I did some minor edits to the manuscript as I read through it–nothing major, just cleaning it up as I went. When I got to chapter six, I felt like the story had skipped way ahead. And I know why. I was new to working with readers for this manuscript, and the critique I received was to ruthlessly cut five chapters.

So, here’s the thing about that critique. I was new to critiques, and it sounded like good advice. In all actuality, the sentiment behind it–that I was starting in the wrong place and my pacing in the early chapters was too slow–was valid. However, in retrospect, just all-out cutting those chapters was not the right thing to do. As a more experienced writer, I’ve learned how to accept a critique, examine what the actual problem is, and find the right solution for my manuscript. Sometimes it’s exactly what the other writer has suggested, but often it’s an entirely different solution that I come up with–because I know my manuscript better than anyone. But as a new writer I didn’t understand that, and this manuscript suffered as a result. It wasn’t that other writer’s fault. She spotted the problem. I just didn’t apply the critique correctly.

My point with this is not to ignore critiques, just to incorporate them in a way that’s right for your manuscript. Because when it comes to pacing and story structure, you need to ensure your story makes sense and the reader feels grounded. As for my son? I’m sure he’ll just go with it :).

5. There’s too much summarizing.

There are a lot of passages where I summarize what happens instead of actively showing it, and that takes away from the experience. It still gets the point across, but I know it can be so much better. I think this is another area where as a more experienced writer I can tell the difference between when I should tell vs. when I should show.

6. Who’s talking??

This manuscript features three kids on an adventure, and in an effort to avoid too many saids, I apparently just deleted a bunch of dialogue tags. But as I was reading through, there were several times I wondered which character was supposed to be talking. If there are more than two characters, you need something, whether it’s a dialogue tag, an action beat, or an internal thought to signify who’s speaking. Even when I did have beats or tags, they were often after the dialogue when they should have been before. I did a lot of shifting for those. There’s not a set formula for this, but it does need to be clear who’s talking. I just try to find a good balance of tags, beats, and thoughts in a conversation.

Could I go back and fix these issues if I really wanted to? Sure. But as fun as it was to go back and read this manuscript, I don’t have any passion for it anymore, and that’s a necessary ingredient to whip a project into shape. So for now, I will just anticipate the joy on my son’s face when he opens his present.

Have you ever gone back and read your first project? If so, what did you learn about how your writing has improved?