Tag: series

As promised, today I’m featuring an interview with the second of my Pitch Wars mentors, Kristin Smith. Her debut, CATALYST, came out in 2016, followed by the sequel, FORGOTTEN, just last month. I’m thrilled to be giving away e-books of both CATALYST and FORGOTTEN, and Kristin is adding swag–signed bookmarks, a postcard, and a magnet! Here’s the description of the first book to whet your appetite.

In a crumbling, futuristic Las Vegas where the wealthy choose the characteristics of their children like ordering off a drive-thru menu, seventeen-year-old Sienna Preston doesn’t fit in. As a normal girl surrounded by genetically modified teens, all of her imperfections are on display. But after the death of her father, everything she’s ever known and loved changes in an instant.

With little skills to help provide for her family, Sienna clings to the two things that come easily—lying and stealing. But not all thief-for-hire assignments go as planned. When a covert exchange of a stolen computer chip is intercepted, she becomes entangled with a corrupt government official who uses her thieving past as leverage, her mother as collateral, and the genetically modified poster boy she’s falling for as bait.

In order to rescue her mother, there may only be one option—joining forces with the Fringe, an extremist group, and their young leader who’s too hot to be bad. Problem is, these revolutionaries aren’t what they seem, and the secrets they’re hiding could be more dangerous than Sienna is prepared for. In the end, she must be willing to risk everything to save the one thing that matters most.

And here are Kristin’s answers to five questions about the five things I loved most–in this case, about both books :).

1. The premise for this series is so cool (and a bit scary)! A society where the rich genetically modify their children? Where did you come up with the idea?

Why, thank you! 🙂 The spark of the idea came in the form of a vivid dream. This idea then led to a lot of what if questions. What if there was a society of people who were matched according to their genetics? Then taking that a step further, what if these people were genetically modified and matched according to their genetics? What would a society like this look like? What might be some challenges for a society like this? And through this, the idea for CATALYST was born.

2. I love how it’s set in a futuristic Las Vegas. The gritty city and surrounding desert, then the new setting of Pacifica (a futuristic L.A.?), are so well drawn. How did you research? How did you decide what to keep from the present and what to change?

I lived for a short time in Las Vegas so I’m very familiar with the area, which really helped when writing CATALYST. And yes, even though it isn’t specifically mentioned, I do picture the Capital of Pacifica (Rubex) as a futuristic L.A. area. I’ve been to L.A. and up and down the Pacific coast, so it wasn’t too hard to draw on personal experience, like how cold the ocean water is no matter what time of year.

I did take some liberties when it came to buildings and structures that may or may not exist in 100-120 years. I think that was the most interesting thing about writing a story set in the near future. I was able to play around with things like architecture and buildings, while staying true to landscape and landforms like mountains, oceans, and deserts that shouldn’t change too much over time. It was a good balance between research and imagination.

3. There are so many twists in these books. Do you have a strategy for planting twists, particularly across a series?  

Um, I wish I could say that I have this magical formula, but the truth is, I really don’t. I generally know the direction the book or series is going, but sometimes I even surprise myself. If there’s a big twist (or several), then during the revision stage, I go through and make sure there have been enough clues sprinkled in so it doesn’t feel too farfetched. I’m a firm believer in the saying that “books are not written, but rewritten.” I do like to keep my reader always guessing.

The other key thing for this series is the backstory, which the reader doesn’t really know much about until the 2nd book, FORGOTTEN. I had to fully flesh out characters we don’t see or know that much about in order to be able to do these twists. I think that’s what made this story such a big undertaking. I couldn’t truly delve into Sienna’s story until I had completely fleshed out her dad’s story, which is what leads the reader to a lot of questions and a lot of twists.

4. The boys! You have two strong love interests with Zane and Trey, and I don’t even know whose team I’m on. I was leaning one way after CATALYST, and FORGOTTEN tipped me the other direction. Did you start writing the series with a clear ending in mind for the love story? Any suggestions on writing an effective love triangle?

Ahh, this is such a great question! When I first started writing the series, there was no question in my mind who Sienna would end up with. But now, I’m not so sure. They are both incredible guys, each with their own strengths, and Sienna loves them both in different ways. And I think that’s the key to an effective love triangle. Each love interest must stand on his own, meaning, each one should offer her something different. Perhaps in one the MC finds adventure and security, but the other provides compassion and companionship.

In addition, a good love triangle should be about more than just the three characters trapped in the triangle. It shouldn’t be a plot in and of itself. But when you can weave it into a story that has bigger stakes, then I think you’re on the road to creating a successful love triangle.

5. In FORGOTTEN, you tell the story from both Sienna and Zane’s viewpoints. What tips do you have for writing from two different POVs?

Don’t screw it up! Lol. No, really, I think it’s all about finding the voice of your characters. It requires you to dig deep and really get to know your characters better. Sienna was easy because I already knew her voice. Zane was a bit trickier because A) I had to tap into a male voice and B) I had to tap into the voice of a guy who has been bred since birth to be this poster child for his father’s genetic modification company. He’s well-bred, well-spoken, and well-rounded.

I would suggest doing character sketches or character interviews to really get a feel for the mind of your character. It may take rewriting chapters if you find your voice drifting. The main thing is to stay true to your character.

Thank you, Kristin!

Now, on to the giveaway! I’m giving away e-books of both CATALYST and FORGOTTEN, and Kristin is adding signed bookmarks, a postcard, and a magnet. United States only, please. To enter, click on the Rafflecopter link. Good luck!

http://www.rafflecopter.com/rafl/display/ba24b44a19/?