Writing

It Is Finished! My Longest Draft Ever

Hey, friends! So, it’s been a really long time since I’ve posted an update about my writing. I looked back through my posts and found one about revising YOUR LIFE HAS BEEN DELAYED from October, and then there was one about how I tried pantsing a book last summer. (That sounds really strange if you aren’t a writer, but the writers DO know what I mean ๐Ÿ˜‰.)

Anyway, that book I was writing last summer? I ended up setting it aside because I just couldn’t figure out what to do with it. I do intend to go back to it, but sometimes you just need some distance. What this means is that for the first time in quite a while, I went more than a year without finishing a draft. In fact, the last time I finished a first draft was May 2018, when I finished writing YOUR LIFE HAS BEEN DELAYED. Of course, I have done a lot of revising on that in the meantime ๐Ÿ˜€.

Last September, while I was still trying to figure out that other project, I had an idea for a new one and jotted down a few thoughts. Over the next couple of months, I added more ideas for it, and in December, I decided to sit down and draft for real. For me, this means setting an end deadline in Scrivener that gives me daily word count goals. Generally, I set my deadline so that I’m writing about 1,800 words per day.

I know many people find it hard to create in an anxious or stressful environment. For me, the best way to cope with anxiety and stress is to have goals. As much as I hate drafting, it gives me focus, and I’ve needed that for the past several months. As I already shared here on the blog, in early December, my best friend suffered a massive brain bleed while on vacation. Her family has shared her story and updates on a GoFundMe page here. At the end of December, she was transported back to Missouri, and I was able to start visiting her at the hospital. I wrote a significant portion of this book sitting in her hospital room, sometimes brainstorming ideas with family members or talking aloud to her, even when she was sleeping. With COVID-19, I can’t visit her right now (she moved to a rehab hospital a few weeks ago), but she’s still on my mind constantly.

And then there’s COVID-19 itself. Everyone in my family has stayed healthy so far. My kids have been home from school since March 13, and my husband started working from home a week ago. It’s a change for all of us to be here together, but we’ve gotten into a pretty good routine. It’s definitely a blessing that my kids are old enough to manage most of their school on their own. But I’d be lying if I didn’t think initially about how having everyone here might affect my drafting momentum. I had decided at the beginning of March to step it up to 2,000 words per day, despite what Scrivener was telling me, and I was able to stick to that, even with everyone here, plus overseeing eLearning and general anxiety about what’s happening in the world.

So, here I am on April 1 with a finished draft. It’s my longest draft ever at 90,983 words. It’s also messy, as all first drafts are. I’m going to let it sit for a few days, and then I will get back to the part I love most–REVISING!

To celebrate, today we’re going to make cupcakes. Usually I treat myself to a gourmet cupcake as a reward for finishing a draft, but making them ourselves has the added bonus of a family activity ๐Ÿ˜.

How are you all doing with your writing? Have you drafted anything new lately? How do you celebrate milestones?

Character, Writing

When a Plotter Attempts to Pants

It’s been a while since I posted a writing update here on the blog. That’s partially due to it being summer and my schedule changing drastically with my kids being off school and driving them to various camps, partially due to more freelance work, and partially due to drafting a new project. That’s where today’s post comes in.

A couple of months ago, I was looking through my idea list to see what I might want to write next. I keep a whole file of ideas, and usually when I’m ready to write something new, there’s one that jumps out at me. That’s certainly what happened this time as well, and I expected that I’d proceed along my normal system, plotting out the story in Scrivener so that when it came time to draft, I could set myself a deadline and whip out a draft I could then revise into shape. This drafting systemย  has worked for me for the past several manuscripts, and it serves me well as I HATE drafting.

Unfortunately, this manuscript just hasn’t cooperated. I’m not usually a write-by-hand sort of person, but for some reason, I pulled out a notebook and started writing down miscellaneous notes about the manuscript. I ended up with six pages of random notes that did not make up an overall plot but were a lot of interesting ideas. And I had no idea who I wanted the character to be. I brainstormed with my husband and kids, and they gave me some fun ideas. Then I signed up for One Stop for Writers and went through the character building tool to further figure out my main character’s motivations, fears, and obstacles. But when I sat down to try and plot the actual manuscript the way I always had, I just couldn’t see it. I was coming up blank.

I talked with my agent about what I was considering writing, and I wasn’t able to articulate the story well with her either. She said that it sounded intriguing, and her recommendation was to just start writing it and see how it went. As a plotter, I found this idea intimidating. Quite honestly, I’ve more often gone into drafting knowing my complete plot and learning my characters along the way instead of the other way around, but I decided to give it a shot.

I started drafting three weeks ago, and it’s been interesting drafting without all my scenes laid out. Even though I hadn’t plotted everything, there were certain points I knew internally my character was working toward, and so my scenes have been leading in those directions. But I’ve also surprised myself with a few subplots I didn’t originally have in my six pages of notes, and I think they’ll add depth to the story.

However, yesterday I tipped over 27,000 words, which is about one-third of the way toward my goal for the first draft, and I reached a point where I felt like I could no longer keep drafting without knowing where I was heading more specifically. So, while this experiment with pantsing has been interesting, I’m now going to regroup and see if I can develop a true plan for the rest of the manuscript based on what I’ve written so far.

Overall, I think it was good to just write for a while, but now I need to return to my outlining ways :).

Have you ever thrown out your drafting system and tried something new when starting a new project? How did it work out for you?

 

Writing

Quick Drafting Tip: Make It Your First Priority

Hello, friends!

I opened up my blog today and realized I hadn’t posted since mid-February. Tragic!

However, it’s because I’ve been faithfully drafting as promised, and I’m up to 32,ooo words. I’ve set my target for 75,000 words, so that means I’m at about 43 percent. I feel pretty good about this as according to my outline, I’m three scenes away from the midpoint, so it looks like I’m on target. Of course, I won’t necessarily end up right at 75,000 words. I input it as my target for my last MS and ended up with a very short draft, but I think that had to do with writing in reverse. After my Pitch Wars revision, during which I added several scenes, it was 70,000 words.

Enough rambling, though. The reason I decided to post today was to give a quick tip about how I’m surviving the drafting stage. (Sorry to those of you who fall on the love-drafting, hate-revising side of the spectrum.) I mentioned in my previous post that I put an end date in Scrivener, and it then calculated how many words I have to write each day to finish. It comes out to about 1,800 words a day.

Really, it’s simple.

Drafting is my main priority, and I’m not allowed to do anything else until Scrivener dings that my project session target has been reached.

Which means:

 

 

 

 

For me the worst offender is Twitter. I can’t even open it until I’ve finished drafting for the day. So for those of you who follow me on Twitter, you may have noticed I’m not tweeting as much lately. It’s especially hard on a day like today, when there’s #PitMad going on. I didn’t make an exception. I scheduled all my pitches yesterday and waited to check on them until I finished drafting.

And to make sure I’m not tempted by notifications popping up on my phone, I turn it face-down on my desk.

The only break I allow myself is checking my email, but unless it’s something urgent or left over from the day before, I write it on my to-do list to handle after drafting is finished for the day.

Anyway, that’s how I get through drafting each day, and by mid-April, I will reach the end of this draft and go celebrate with a super-sized cupcake or some other delicious treat.

How do you survive drafting? Or are you one of those weird people who loves it?

Writing

It’s Drafting Time!

A few weeks ago I posted that I would start drafting my new project on Monday, Feb. 12, and I wanted to report that I have, indeed, started drafting. Anyone who’s been following my blog for a while knows this is my least favorite part of the writing process. I would much rather be revising words already on the page than staring at a blank one. However, I have plotted this project out in quite a bit of detail, so I expect to keep drafting at a steady pace.

I drafted my last manuscript, YOUR SECRET’S NOT SAFE WITH ME, completely in reverse. I started with the first last chapter and worked backward. I really liked that process and thought I would do the same with this new project. However, as I was plotting I found myself jumping around, throwing in a scene here and a scene there. So far I am drafting from the beginning, but it’s possible I will jump around a bit. That’s the beauty of Scrivener. Since I already have my scenes/sequels all planned out, I can pop from one scene to another.

Everyone has a different drafting style and mine isn’t even the same every time, but for those of you who are interested, here’s my approach this time.

1. I outlined in Scrivener using K.M. Weiland’s STRUCTURING YOUR NOVEL as a guide. She has a couple of posts on her website explaining how to do this, but she does much more extensive outlining than me. I basically make sure I’ve included all the major plot points, and then add the scenes in between. (There are more scenes under several of these flags that you can’t see.)

2. I follow Ms. Weiland’s scene/sequel structure. You may notice that of the scenes you can see, there is always an even number. That’s because there is a scene and then a sequel. I make a note card for each one.

These scenes and sequels have nothing to do with chapters. I don’t worry about chapters until I’m finished drafting. Sometimes they work great for chapter breaks. Other times I end up combining scenes/sequels into a single chapter and/or breaking up a scene into two chapters. It’s all about where the best break is to keep a reader intrigued.

3. After I finish deciding my major plot points and filling in all the scenes and sequels, I set my drafting goals. I do a modified fast-draft, meaning I set myself a deadline and draft a certain amount of words each day no matter what. In Scrivener, I select Project, then Show Project Targets. There are two sets of targets–the session target (each day) and the draft target (overall). I’ve set my draft target for April 12. Under Session Target, you can choose which days of the week you plan to write. In my case, I only write during the week while my kids are at school. Then I click OK and set my overall manuscript target. Each day, it automatically adjusts my session target depending on how many words I write.

4. I start drafting! As you can see above, I’ve drafted two days and went a little over today :). I’m not 100 percent tied to my outline. I have some empty scene/sequel note cards at the bottom of my Scrivener file in case I decide there’s something else that needs to happen. There’s also the possibility I’ll get into it and something I’ve planned no longer makes sense. But having this road map gives me direction. I feel so much more confident drafting with an outline than I did when I used to draft with no idea where I was going.

I’m excited to be working on something new. What’s your drafting strategy? Do you work with an outline or wing it?

 

 

Writing

Procrastination, Thy Name is Michelle – Part Two

I titled this post and realized it sounded super familiar. Well, that’s because I wrote it in August 2016. And before that, I wrote a post about how procrastination was the first step in my drafting process. That being said, the August 2016 post was very effective in motivating me to move forward on brainstorming and ultimately drafting what would become the manuscript I’m currently querying, YOUR SECRET’S NOT SAFE WITH ME. I honestly can’t believe it’s been that long since my last first draft, but in the past year and a half, I also completed an R&R (more of a write a whole new book and resubmit than a revise and resubmit) for another MS and participated in Pitch Wars for SECRET. So there’s a reason it’s taken me a while to get to a new project.

In any case, I actually have started brainstorming, so I’m not completely ignoring the fact that I should be focusing on a new project while I’m waiting to hear from agents on the existing one. However, in my usual fashion, if there’s any excuse to do something else–volunteer work like Girl Scout cookie mom or library coordinator duties, make new charts in my query spreadsheet, scroll through Twitter–I choose that over my brainstorming and planning.

I really thought I’d be better about it this time. As much as I hate drafting, I planned my last MS out so well that it wasn’t as much of a trial as usual. I think now maybe the problem is that the planning is sort of like the drafting. But I need to get over that and get moving because I am excited about my new idea. I’m not quite ready to share what it is here other than to say it is YA and will involve a touch of the unexplainable.

As in 2016, I’m using the blog as my drafting accountability. Barring anything that might arise with my existing project, I will finish brainstorming and plotting this sucker out and start drafting on Monday, Feb. 12, which should result in a draft by early April.

So now that I’ve distracted myself with this blog post, I’d better get to work. Please do hold me accountable!

Critiquing, Revising, Writing

The Benefits of Weekly Chapter Swaps

First of all, there’s still time to enter my fifth blogiversary giveaway for a $25 Amazon gift card, so if you haven’t done so yet, check out my post here (ends at midnight 5/11)!

While I’ve been blogging for five years, I’ve been writing for many more years. The beauty of this journey is that I’m continually learning something new. My process with gathering feedback in the past has always been to carefully revise the full manuscript and then send it to critique partners and beta readers. I’ve never sent first drafts to anyone–probably because I’m too much of a perfectionist :).

However, when I participated in WriteOnCon this year, I was in a unique position timing-wise. I was finishing up a revision of the project I’d been querying and getting ready to revise the first draft of my new project. I met a writer in the forums whose writing appealed to me, and we started a conversation about swapping chapters weekly.

Now, I have to say that this has never appealed to me in the past because it is a sloooow process. And I’ve mentioned before that I am not a patient person, right? Added to that, I’d be sending off chapters when I hadn’t even revised the chapters that came after. This was a bit intimidating to me–the idea of sending off unfinished work. But here are some benefits I discovered from going through this process. I should mention that we didn’t stick with one chapter per week as that would have taken fooorever. My patience only extends so far :).

It prevented me from rushing the draft. I finished my regular pass of revisions through the draft about five weeks before I sent my last chapters, so I started checking the manuscript for repeated words. Normally I don’t do this until a later draft, but it’s mainly because I’m in such a hurry to get feedback. Since I was already getting feedback, I could take the time to do this really well. See my initial post on checking chapter by chapter for repeated words. I’m actually not finished with this (six weeks later!), so I may post more about it.

I received detailed feedback on each chapter/section. I have excellent critique partners and readers who often give me line edits and detailed chapter notes. However, it’s different when someone’s reading a short selection every week. Whereas in an overall manuscript a chapter that flows well might get skimmed, in this setup it still gets special attention and thought because it’s the only thing the reader has to critique for the week. The reader is looking for areas that could be even stronger.

It weeds out all the plot points that don’t make sense. Obviously this type of critique happens when someone does a full read-through, but it’s nice to have someone point out an issue in chapter two and you can fix it before she reads chapter six.

The reader knows your characters almost as well as you do. After so many weeks swapping chapters, I feel like we know each other’s characters really well–because we’ve been going through it so slowly and methodically. It’s different from when you read a manuscript within a couple of weeks and send it back. You’re revisiting them every week, so when they act out of character–as mine did–the reader notices.

Overall, this has been a great process, and I’m glad I went through it. My manuscript is much stronger for it. Have you done weekly chapter/section swaps before? What did you like/dislike about it?

Revising, Writing, Writing in Reverse

Writing in Reverse: The First Draft Read-Through

When I finished drafting this manuscript in November, I said I intended to let it sit until after Thanksgiving. That plan changed drastically when I received an R&R (revise and resubmit) on another manuscript the same day I wrote that post. I think it came about an hour later. Talk about timing! I don’t know what will happen with that project, but I do know the longer you let a draft sit, the better.

So, instead of a few weeks, this manuscript stewed for more than ten weeks. I finished re-reading it yesterday, and I’m very pleased with what I have to work with as a first draft. It’s by no means ready to send off to readers, but I expect it won’t take me long to get it there, and I’m giving credit to two things: writing in reverse and advance planning. Here are a few things I noticed in my first draft read-through.

The first chapter still needed work. I said before that I hoped writing in reverse would making writing my first chapter easier, and it did in many ways, but from the first words, I was still mentally polishing it up. I’m not sure it’s possible to nail a first chapter in a first draft, no matter how you approach it. I do think, however, that I started the story in the right place this time. Of course, that’s ultimately up to my readers to tell me :).

The pacing feels on target. As I was reading, I felt like the pacing moved along well. In the past, I had a tendency to start meandering around the middle (is that just me??). But writing in reverse, I was always looking at what had to happen right before that scene to get there, so there’s nothing extraneous. If anything, there are a couple of scenes that might be a bit abrupt and I need to add.

I will be killing many darlings. I mentioned in my 25,000 words from the end post that I’d decided to add a twist I hadn’t planned for in one of the early chapters. Reading through again, I know this twist is the right call for the story as it will greatly increase the tension throughout. However, when I got to the later part of the story where it wasn’t incorporated, there were so many great lines that I now won’t be able to use. So I guess that’s a downside to writing in reverse, since if you’re writing forward, a later twist might not affect what you’d written earlier. But it’s ok. If I managed to write such fun dialogue how it was originally, I’m sure I can switch it around to accommodate this change :).

Overall, my first draft read-through left me feeling very pleased with the results of writing in reverse. I will definitely be using this strategy to draft my next project as well. Now on to the revisions!

Writing, Writing in Reverse

Writing in Reverse: The Beginning

I’m finished drafting!

Cupcake

I treated myself to this cupcake after a draft a few years ago. I really wish I had it now …

Anyway, my draft came out at 55,716 words, which was not quite as low as I expected. I had set an initial target of 70,000 words, but as I stated earlier, I’m fine with a sparse draft. I know I’ll add when I revise as I tend to leave out important parts like setting descriptions.

If you missed my first two posts in this series, you can find them here:

I realize the way this panned out, I’m only writing this a week after my last post, but I still feel I have some worthwhile lessons to impart as I finished the draft.

I no longer feel the need to jump right into revisions. Last week I was riding on the high of a brilliant twist I’d decided to implement in the first plot point. And I do still believe it’s brilliant and will greatly improve the tension throughout the rest of the manuscript, but since I forced myself to move on, I no longer feel the burning urge to jump into the revisions immediately. So it turns out that was a short-lived fury.

If I hadn’t outlined so completely, I would have rushed to the first plot point much too soon. As I’ve been drafting, I’ve been reading a lot, and much of that reading has been on my Kindle. It’s so handy to have that little percentage marker in the bottom left-hand corner. And I’ve noticed something. I can actually pinpoint an inciting incident around twelve percent and a first plot point at twenty-five percent and a pinch point around thirty-three to thirty-seven percent and so on. And working backward has given me a unique perspective on this, being able to think about what is happening in each scene and then go to the scene immediately before and make sure what happens then provides the right framework. I can tell that if I hadn’t done it this way, I would have a first plot point around fifteen percent, and the problem would be that readers wouldn’t care enough about my character yet, or they wouldn’t be meeting the important secondary characters at the appropriate time. I am sure this method is going to benefit me in the long run.

I had to remind myself to insert backstory in the early chapters. By the time I got to the first couple of chapters, where the characters were being introduced, I had to remind myself to insert bits of description and backstory to ground the reader in the world. Because I’d been writing about these characters for six weeks already, I knew them so well that I definitely wasn’t putting too much in. But I was right about knowing the voice and mannerisms. That part is good. As to whether it means I nailed the first chapter more quickly? Well, that will be up to my CPs to determine.

I still spent more time on the first chapter than the others. I just wrote it today, but whereas I drafted the other chapters quickly and wasn’t as worried about the first lines, I carefully considered every word of this first chapter, even in draft form. But I do think it was easier writing the first chapter last. Because I not only knew how their stories played out but had already written the details of them, I had a much better sense of what needed to happen at the beginning–who the readers need to meet and what they need to know about my main character and how she’s been shaped by the people around her. I wasn’t feeling my way into her the way I have been in the past. Because I already did that in the last chapter :).

So what’s next? I’m going to let this manuscript sit until after Thanksgiving. I usually do a month, and depending on what else lands on my plate, I may still give it until mid-December, but I definitely need to let it settle. Either way, I’m definitely glad I decided to write in reverse. Drafting is always a struggle for me, and although I still had to sit and force myself to do it some days, I had better direction this time around.

How about you? Have any of you tried drafting in reverse? Did you like it or not?

Writing, Writing in Reverse

Writing in Reverse: 45,000 Words from the End

I’m actually getting pretty close to the beginning of this draft. (I apologize to those of you just starting NaNoWriMo, but I did start a month before you.) Here are a few more things I’ve learned since the check-in at 25,000 words.

No matter how much you plan, you’re as likely to come up with a new twist writing in reverse as you are writing forward. This actually just happened to me, and what I find interesting about it is that it will require the same amount of revision either way. The difference is that instead of the twist occurring to me later in the story and having to go back and plant seeds in the revision, it’s something that occurred to me to change early in the story and I now will have to deal with all the ripples throughout the rest of the story. But having already written what comes later, I can see how this early change will make the middle stronger.

When you make a change early on, it’s so much more tempting to fix everything that comes after in the draft. Usually when I’m drafting I just want to get to the end. Occasionally when I make a change I’ll be tempted to go back and fix something it affects earlier in the story, but it’s usually just a twinge. I’ve had a different mentality drafting in reverse. I’ve been going through and adding to the later scenes–still not revising the existing text–if something in an earlier scene calls for it. This twist I just added in the first plot point has me itching to go through the whole manuscript and revise–because everything that comes after is already there waiting. But if I do that I’ll never finish the draft, so I’m putting it in writing here so I will keep moving forward to the beginning.

I’m probably not going to be able to let this draft sit. Because of the above point, I have a feeling this first draft will turn into a draft 1.5 before I’m able to let it sit. But if the reason for that is an inconsistency I already know I wrote in that I can fix before I set it aside for a month, I can live with messing up my usual system. Then when I return to it after that month, it will be a stronger draft to attack.

I think that’s it for today. Probably my next post in this series will be Writing in Reverse: The Beginning!

Writing, Writing in Reverse

Writing in Reverse: 25,000 Words from The End

I started writing my new project at the beginning of October as planned, and I’m now 25,000 words in (or back?), so I figured it was time for an update on how this writing in reverse method is going. As I mentioned in my pre-drafting post, I prepared to write in reverse by creating a much more detailed outline than I’ve ever used in the past. I structured it using K.M. Weiland’s STRUCTURING YOUR NOVEL. First I placed the three acts with the major plot points, then I layered in the scenes within those major plot points, working backward from the resolution and climax. Yes, that means I outlined in reverse as well. I found thinking backward very helpful from the standpoint of figuring out what needed to happen to get to the climax.

Here are a few things I’ve learned so far and some predictions as well.

There’s less pressure writing those first sentences. Well, obviously the end of the novel is important, but it doesn’t have to grab the reader the way the opening lines do. By starting with the end, I didn’t have to worry about what backstory should be loaded into the first words I wrote, how soon certain characters should be introduced, etc. Instead, I got to wrap everything up (because you all know I don’t like sad stories, right?). It was a much easier place to start.

It takes time to get in a groove with your character’s voice whether you start at the beginning or the end. I fill out character worksheets before I start writing. I’ve been doing that for the past few manuscripts, so it’s not new to this one. But even with that prep, it still takes a while to get into a groove with the character’s voice. I was feeling her out in the closing few chapters, but writing her is familiar now. By the time I get to the beginning, I’ll have the main character’s voice down so well that those opening pages should really flow. And when it comes time to revise, it will be much easier to fix any inconsistencies at the end.

I’ve already figured out my character’s issues. This point sort of goes along with the one above, but when I outlined the story and filled out my character sketch, I had a particular character arc in mind for her. As I wrote the end and started working backward, I realized there was another issue she had to work through. If I’d started at the beginning, I wouldn’t have laid the foundations for that flaw, and it would have been something I had to solve in revision.

The first draft is going to be short. I always write sparsely in a first draft, but thanks to my detailed outline, I see that I’m not going to be anywhere near the word count goal I set. Which is fine. I’d rather know that everything I’m putting in this draft is essential to moving the story forward–which is what my outline tells me–than be trying to figure out what scenes have to be cut later. And that’s what I’ve had to do with every manuscript in the past, I think partially because I didn’t outline enough, but also because I was working toward a word count goal and thought I needed to fill the space. Looking at my outline as I draft, with the major plot points in front of me, I’m not tempted to try and fill the MS with unnecessary scenes that won’t add to the forward momentum of the story.

I’m adding as I go, but it’s ok. Usually when I draft I don’t allow myself to go back and revise any chapters I’ve already written, but I’ve been more flexible with this one, and it’s entirely due to the reverse nature of the drafting. I find that I’ll write a new scene, and because of something that happens in that scene, I now need to add to the later scene. But because I’m writing in reverse, it’s not really an edit. It’s more that I left something out of the later scene because I hadn’t written the earlier one yet and didn’t realize the character needed to reflect on a particular incident or hash something out with another character. Because even with my outline, there’s still flexibility for little incidents to be added. I’m sticking to my guns about not changing any text that’s already there, but adding more totally works. Plus it helps with my sparse draft :).

I’m less likely to give away information too soon. I noticed this benefit within the first few days of writing. When you’re writing forward, you’re planting seeds for a later reveal. Writing backward, you get to just put it all out there right away, and it’s a lot easier not to talk about it the further back you go because you know you’ve already written it and the characters either don’t know or can’t talk about it yet. I love this! I already feel like things are being revealed at the right times to produce the most conflict, so as I keep working toward the beginning, I’ll be creating more tension as I find ways for my characters to stay in the dark. Plus, I’ll know exactly where to plant those seeds.

I still look ahead (or behind) when I begin writing for the day. I worked with a much looser outline in the past, but I would glance ahead to see what I was working toward before I started writing each day. Since I’m writing backward, I look at what I’ve planned for the scenes leading up to the ones I’m writing each day. That way I have an idea what the characters were doing immediately before the scene began–what their emotions should be, where they physically are, what they’re working toward. I thought this might be trickier working backward, but with the outline, I’ve found it only takes me a few minutes to get in the right mindset for a new scene.

So, with the manuscript close to halfway drafted (at least according to my outline–I said it was going to be short!), I’m pretty sold on writing in reverse. Now, I’ll be completely honest. I still don’t love drafting. I have to make myself sit at my desk and do it every day, and I stop when I reach 2,000 words, even if I’m on a roll. I do that because if I’m in a great place, it will be easier for me to start again the next day. I don’t think I will ever be a writer who loves drafting, but at least this method is helping me feel good about where this draft is headed.

Have you ever tried drafting in reverse? If so, how did it work for you?